[1] Marshall MacLuhan (2006 [1964]) Understanding Media, London/New York: Routledge Classics, p. 25.
[2] Elisia L. Cohen & Cynthia Willis (2004) ‘One Nation under Radio: Digital and Public Memory After 11 September’ in: New Media and Society Vol.6 p. 592.
[3] Jay David Bolter & Richard Grusin (1999) Remediation. Understanding new media, Cambridge: MIT Press, p 19.
[4] Jay David Bolter & Richard Grusin (1999) Remediation. Understanding new media, Cambridge: MIT Press, p 5
[5] José van Dijck (2007) Mediated Memories in the Digital Age. Stanford: Stanford University Press, p. 21
[6] Marita Sturken (Unpublished) ‘Tourists of History: Souvenirs, Architecture, and the Kitschification of Memory’ in: Liedeke Plate & Anneke Smelik (eds) Unsettling the Past: Technologies of Memory in the Arts. Book in progress with Palgrave/MacMillan, p. 1
[7] Marita Sturken (Unpublished) ‘Tourists of History: Souvenirs, Architecture, and the Kitschification of Memory’ in: Liedeke Plate & Anneke Smelik (eds) Unsettling the Past: Technologies of Memory in the Arts. Book in progress with Palgrave/MacMillan, p. 3
[8] Marita Sturken (Unpublished) ‘Tourists of History: Souvenirs, Architecture, and the Kitschification of Memory’ in: Liedeke Plate & Anneke Smelik (eds) Unsettling the Past: Technologies of Memory in the Arts. Book in progress with Palgrave/MacMillan, p. 5
[9] Jay David Bolter & Richard Grusin (1999) Remediation. Understanding new Media. Cambridge: MIT Press
[10] Marshall McLuhan (2006 [1964]) Understanding Media. London/New York: Routledge Classics.
[11] Willem Frijhof e.a., Culturele Dynamiek, onderzoeksprogramma in ontwikkeling, NWO 2005, p. 24.
[12] Elisia L. Cohen & Cynthia Willis (2004) ‘One Nation under Radio: Digital and Public Memory After 11 September’ in: New Media and Society. Vol.6 p. 592.
[13] Rank 1 is een Nederlands duo van twee DJ’s waarvan er een overigens een achtergrond heeft in klassieke muziek
[14] Bron: Wikipedia
[15] www.youtube.com
[16] José van Dijck (2007) Mediated Memories in the Digital Age. Stanford: Stanford University Press, p. 21
[17] Jay David Bolter & Richard Grusin (1999) Remediation. Understanding new media, Cambridge: MIT Press.
[18] Marshall McLuhan (2006 [1964]) Understanding Media. London/New York: Routledge Classics, p. 24.
[19] Jay David Bolter & Richard Grusin (1999) Remediation. Understanding new Media. Cambridge: MIT Press, p. 9.
[20] Jay David Bolter & Richard Grusin (1999) Remediation. Understanding new Media. Cambridge: MIT Press, p. 23
[21] Peter Gay (1999) Mozart. New York: Viking Penguin, p. 134-189.
[22] Stanley Sadie & Alison Latham (2000), The Cambridge Music Guide. Cambridge: Cambridge University Press, p. 242-259.
[23] Robert L. Marchal (1991) Mozart Speaks: Views on Music, Musicians and the World. New York: Schirmer Books, p. 98.
[24] Stanley Sadie & Alison Latham (2000), The Cambridge Music Guide. Cambridge: Cambridge University Press, p. 259.
[25] José van Dijck (2007) Mediated Memories in the Digital Age. Stanford: Stanford University Press, p. 21
[26] Robert L. Marchal (1991) Mozart Speaks: Views on Music, Musicians and the World. New York: Schirmer Books, p. 177.
[27] Henk Wesseling (2005) Plaatsen van Herinnering. Een historisch succesverhaal. Amsterdam: Bert Bakker, p. 10.
[28] Jay David Bolter & Richard Grusin (1999) Remediation. Understanding new media, Cambridge: MIT Press, pp. 6-15.
[29] Clement Greenberg(1939). ‘Avant-garde and Kitsch’. In: Simon During, Cultural Studies:A Critical Introduction. Londen:Routledge, pp. 1-10 Internet: http://www.sharecom.ca/greenberg/kitsch.html Datum: 18.8.2006
[30] Marita Sturken (Unpublished) ‘Tourists of History: Souvenirs, Architecture, and the Kitschification of Memory’ in: Liedeke Plate & Anneke Smelik (eds) Unsettling the Past: Technologies of Memory in the Arts. Book in progress with Palgrave/MacMillan, pp. 2-5
[31] Andreas Huyssen (2000). ‘Present Pasts: Media, Politics, Amnesia’. In: Public Culture, p. 20. Internet: http://muse.jhu.edu/journals/public_culture/v012/12.1huyssen.html Datum: 7.09.2007
[32] Henk Wesseling (2005) Plaatsen van Herinnering. Een historisch succesverhaal. Amsterdam: Bert Bakker, p. 10.
[33] Pierre Nora (1989) ‘Between Memory and history: Les Lieux de Mémoire’. In: Representations nr.26, p. 7. Internet: http://www.jstor.org/journals/07346018.html Datum: 14.09.2007
[34] Peter Marboe (2006). Wiener Mozartjahr 2006 – this is not farewell?. Internet:
http://www.wienmozart2006.at/jart/projects/mozart2006-webv1/main.jart?rel=en&content-id=1118232845649 Datum : 4.01.2008
[35] Jay David Bolter & Richard Grusin (1999) Remediation. Understanding new media, Cambridge: MIT Press, p 45.
[36] Jay David Bolter & Richard Grusin (1999) Remediation. Understanding new media, Cambridge: MIT Press, p 9.
[37] Jay David Bolter & Richard Grusin (1999) Remediation. Understanding new media, Cambridge: MIT Press, p 15.
[38] Jay David Bolter & Richard Grusin (1999) Remediation. Understanding new media, Cambridge: MIT Press, p 31.
[39] Franz Patay (2006) ‘Wiener Mozartjahr. Volkswirtschaftliche und touristische Aspekte’. Internet: http://www.wienmozart2006.at/jart/projects/mozart2006-web-v1/main.jart?rel=de&content-id=1168190304074&reserve-mode= Datum: 8.01.2007
[40] Franz Patay (2006) ‘Wiener Mozartjahr. Volkswirtschaftliche und touristische Aspekte’. Internet: http://www.wienmozart2006.at/jart/projects/mozart2006-web-v1/main.jart?rel=de&content-id=1168190304074&reserve-mode= Datum: 8.01.2007
[41] Clement Greenberg(1939). ‘Avant-garde and Kitsch’. In: Simon During, Cultural Studies:A Critical Introduction. Londen:Routledge, p. 207. Internet: http://www.sharecom.ca/greenberg/kitsch.html Datum: 18.8.2006
[42] Clement Greenberg (1939). ‘Avant-garde and Kitsch’. In: Simon During, Cultural Studies:A Critical Introduction. Londen:Routledge, p. 207. Internet: http://www.sharecom.ca/greenberg/kitsch.html Datum: 18.8.2006
[43] Marita Sturken (Unpublished) ‘Tourists of History: Souvenirs, Architecture, and the Kitschification of Memory’ in: Liedeke Plate & Anneke Smelik (eds) Unsettling the Past: Technologies of Memory in the Arts. Book in progress with Palgrave/MacMillan, pp. 2-5
[44] Wouter Weijers (Unpublished) ‘Minimalism, Memory and the Reflection of Absence’, in: Liedeke Plate en Anneke Smelik (eds.), Unsettling the Past: Technologies of Memory in the Arts. Book in progress with Palgrave/MacMillan, p. 1.
